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SEAN DUGAN* (ADAM)has appeared in the Off-Broadway productions of The English Channel (Abingdon Theatre Company); Perfect Harmony (Clurman Theatre); BFF (DR2 Theatre); Valhalla, Flesh and Blood (New York Theatre Workshop); Corpus Christi (Manhattan Theatre Club); and Shakespeare’s R & J (John Houseman Theatre). His regional credits include The Cry of the Reed (Huntington Theatre Company); The English Channel (Vineyard Playhouse); The Four of Us (The Old Globe); Spring Forward, Fall Back (Theater J, Vineyard Playhouse); Three Sisters, Enrico IV, Antigone, The Doctor’s Dilemma, Loot, Richard II, The Idiots Karamazov, The Cripple of Inishmaan (American Repertory Theatre); As You Like It, Rags, More Musical Magic, and Babes in Arms (Hope Summer Repertory). Film and television: Gigantic (upcoming), Trust the Man, Company Man, Overnight Sensation, Law & Order: Criminal Intent, Law & Order: Special Victims Unit, The Beat, and Oz.
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ASHLEE FIFE* (LADY OF THE CHORUS/DANCE CAPTAIN) is making her Yale Rep debut. Her New York credits include Chitty Chitty Bang Bang (Broadway), Follies (Encores!), and The Merry Widow starring Placido Domingo (Lolo understudy, The Metropolitan Opera). She was also a Radio City Music Hall Rockette for seven years. National Tours: The Scarlet Pimpernel and Some Like It Hot with Tony Curtis. Other theatre credits include Josefa in A Shot in the Dark (Midtown International Theatre Festival), The Day Before Spring (Mufti Series at The York Theatre Company), Violet Bick in It’s a Wonderful Life (Theatre Under the Stars, Houston), Lola in Damn Yankees (Carousel Dinner Theatre),
She Loves Me (The Arena Stage), and 42nd Street (The Mountain Playhouse).
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STEPHANIE FITTRO* (LADY OF THE CHORUS) is making her Yale Rep debut. Most recently she was seen on Broadway as Kate/Chutney in Legally Blonde. Other New York credits include The Merry Widow (The Metropolitan Opera), Hair (Encores!), Peace Man (Jazz At Lincoln Center), and Jesus and Mandy directed by David Drake (Theater for the New City). National Tour credits include the Tony Award-winning shows Hairspray directed by Jack O’Brien and Carousel directed by Nicholas Hytner. Regional credits: West Side Story directed by Alan Johnson (Theater of the Stars, Atlanta; Theatre Under the Stars, Houston) and Seven Brides For Seven Brothers (Paper Mill Playhouse, North Shore Music Theatre). Last year, Ms. Fittro appeared with Chita Rivera, Alan Johnson, and other original cast members of West Side Story in a 50th-Anniversary Tribute choreographed for the annual Gypsy of the Year Competition.
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JENIFER FOOTE* (LADY OF THE CHORUS)is making her Yale Rep debut. Her Broadway credits include A Chorus Line (Val), Dirty Rotten Scoundrels, Frank Wildhorn’s Dracula, and Annie Get Your Gun. She has toured the country with Dirty Rotten Scoundrels (Jolene Oaks) and The Wizard of Oz. Other stage credits include Follies (Encores!), Sinatra (Radio City Music Hall), Broadway: 3 Generations (The Kennedy Center), the Actors Fund concerts of Hair and On the Twentieth Century, the Mack and Mabel Tribute to Jerry Herman (Lincoln Center), and two years as a Radio City Rockette. Film and television credits include the Warner Bros. animated feature The King and I and A Capitol Fourth (tap feature with Tony Danza) on PBS. She is a proud graduate of University of California-Irvine.
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SHAUNA HOSKIN* (LADY OF THE CHORUS)is originally from Edmonton, Canada, and received a certificate in dance from The Ailey School. She appeared in the Broadway production of The Producers for four years, as well as in the National Tour and the film version. She just returned from a year in Paris where she studied at the Sorbonne by day and performed at the Lido de Paris by night.
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PATRICK KERR* (DVORNICHEK) received his MFA from Yale School of Drama and appeared in the Yale Rep productions of Phaedra and Hippolytus, A Child’s Tale, and The Winter’s Tale. New York stage credits include The Ritz (Roundabout Theatre Company), Jeffrey (Minetta Lane Theatre), The Devils (New York Theatre Workshop), The Warrior Ant (Brooklyn Academy of Music), and Romeo and Juliet (Theatre for a New Audience). Regional credits include productions at the Geffen Playhouse, South Coast Repertory, Mark Taper Forum, Pasadena Playhouse, Berkeley Repertory Theatre, INTIMAN Theatre, Magic Theatre, Guthrie Theater, George Street Playhouse, Portland Stage, CENTERSTAGE, Ford’s Theatre, and The Acting Company. Film and television: Domino, Ed, Stuart Saves His Family, On the Lot, Curb Your Enthusiasm, Frasier (Screen Actors Guild Award), The New Adventures of Old Christine, Friends, Will and Grace, and CSI, among many others. He is the recipient of the Bay Area Critics, Santa Barbara Independent, Dean Goodman, and Garland Awards, as well as two Ovation Award nominations.
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JOHN G. PRESTON* (IVOR) made his Yale Rep debut in The Ladies of the Camellias (2004). Recent credits include Taboos (Off-Broadway); The Constant Wife (Asolo Rep); Les Liaisons Dangereuses, The Unexpected Guest (Syracuse Stage); Pure Confidence (The Cincinnati Playhouse); Othello (Georgia Shakespeare); As You Like It (The Public Theater); After Ashley (Denver Center Theatre Company); and The Real Thing (Syracuse Stage). An Associate Artist and Resident Company Member at Alabama Shakespeare Company, he appeared there in Twelfth Night, The Taming of the Shrew, The Tempest, King Lear, A Midsummer Night’s Dream, King John, As You Like It, Troilus and Cressida, Love’s Labour’s Lost, Arms and the Man, Romeo and Juliet, Henry IV Part I, Dancing at Lughnasa, The Comedy of Errors; and directed MFA productions of Scapin and Triumph of Love. Also: the Samuel French Short Play Festival winner Feet of Clay (as well as the short film version), the feature film Ready? OK!, Law & Order, and As the World Turns. BFA, Florida State University; MFA, University of Alabama/Alabama Shakespeare Festival Professional Actor Training Program.
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REG ROGERS* (TURAI)previously appeared in the Yale Rep productions of Largo Desolato, The Beauty Part, Hamlet, Figaro/Figaro, and Landscape of the Body. His New York credits include The Pain and the Itch by Bruce Norris, Bach at Leipzig by Itamar Moses, Richard Greenberg’s Hurrah At Last and The Dazzle (OBIE Award and Lucille Lortel Award), Cellini by John Patrick Shanley, and Holiday (Tony and Drama Desk Award nominations). Regional theatre credits include the world premieres of The Understudy by Theresa Rebeck, The Injured Party by Richard Greenberg, and Ridiculous Fraud by Beth Henley; as well as Richard III directed by Mark Rucker, Platonov and Uncle Vanya on Lake Lucille, four seasons at Williamstown Theatre Festival, and eight seasons at New York Stage and Film. Film and television credits include I Shot Andy Warhol, Primal Fear, Runaway Bride, I’ll Take You There, The Photographer, Analyze That, Igby Goes Down, Lovely by Surprise, Friends, Law & Order, and Law & Order: Criminal Intent. He received his MFA from Yale School of Drama in 1993.
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SUSANNAH SCHULMAN* (NATASHA)made her Yale Rep debut in the 2006 production of All’s Well That Ends Well. Her other credits include How Shakespeare Won the West (Huntington Theatre); Bad Dates, The Two Gentlemen of Verona (Geva Theatre); Les Liaisons Dangereuses (Syracuse Stage); Man from Nebraska, The Further Adventures of Hedda Gabler, On the Mountain, Cyrano de Bergerac, The Dazzle, Nostalgia, Six Degrees of Separation, The Taming of the Shrew (South Coast Repertory); The House of Blue Leaves (Berkeley Repertory Theatre); Continental Divide (Oregon Shakespeare Festival, Berkeley Rep, the Barbican Theatre in London); Picnic (Marin Theatre Company); The Joan Rivers Theater Project (Magic Theatre); the national tour of Steve Martin’s Picasso at the Lapin Agile; five seasons at Shakespeare Santa Cruz; and six seasons at California Shakespeare Theater, where she is an Associate Artist. She lives in New York City.
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GREG STUHR* (GAL) Broadway credits include David Mamet’s November, opposite Nathan Lane, directed by Joe Mantello; The 25th Annual Putnam County Spelling Bee directed by James Lapine; and Elaine May’s Taller than a Dwarf directed by Alan Arkin. Greg has enjoyed a long association with playwright Keith Reddin, performing in All the Rage, Can’t Let Go, Frame 312, But Not for Me, and Brutality of Fact, at theatres including Primary Stages, Atlantic Theater Company, and South Coast Repertory, among others. Film and television credits include Red with Brian Cox, Beautiful Ohio with William Hurt, New Amsterdam, Law & Order, and Third Watch. A native of Buffalo, NY, Greg worked extensively with the Irish Classical Theatre alongside members of the famed Abbey Theatre, performing leading roles in Betrayal, A View from the Bridge, and Arms and the Man. He is a graduate of Carnegie Mellon Drama.
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ADINA VERSON (LADY OF THE CHORUS) is making her Yale Rep debut. Her recent credits include The Hot L Baltimore (The Actors Company Theatre), Five Women Wearing the Same Dress (Gene Frankel Theatre), Win Win Power Auction (LaMama ETC), and Big Doolie (New York International Fringe Festival). Adina was nominated for a Connecticut Critics Circle Award for her role in The Mikado at River Rep Theatre Company, and currently studies at Michael Howard Studios. She is a graduate of the Chicago Academy for the Arts, and received her BFA at The Boston Conservatory.
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ADRIA VITLAR (LADY OF THE CHORUS)is a third-year MFA candidate at Yale School of Drama and is making her Yale Rep debut. Her theatre credits include A Month in the Country, Peer Gynt, The Ghost Sonata, Camino Real, The Wendy Play (Yale School of Drama); The Do-Over, Little Shop of Horrors, and The Three Sisters, or The Dormouse’s Tale (Yale Cabaret); as well as national tours of The Best Little Whorehouse in Texas and Mame.
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*MEMBER OF ACTORS’ EQUITY ASSOCIATION, UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.